Science Fiction Can Save Environmentalism

| Essay originally published on Futures Exchange, via Medium, on October 22, 2013.

Bill McKibben was firing up a rally of climate activists in Cambridge, Mass., this past summer in preparation for a protest and mass arrest at one of the state’s coal-fired power plants:

“The message we need to keep sending all the time is, there is nothing radical about what we’re asking,” he said. “All we’re asking for is a world that works the way the one we were born into worked. That’s not radical. That’s actually kind of conservative.”

This is a shrewd point, and just one part of a pretty powerful overall talk, but as an environmentalist, I found the sentiment troubling. If the green movement’s rallying cry is to keep the world the way it was when we were born, isn’t it fairly doomed? Sounds like a stodgy, if not pointless cause. I would argue that, for environmentalism to stay vital in decades to come, it’s going to have to stop being so resistant to change, and dive into a far more imaginative conversation of what our future might hold.

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Arab Spring, a Literary Festival in Gaza, and the Role of Media in Revolution

Profile of Boston Palestine Film Festival artist Omar Robert Hamilton, originally published on Open Media Boston, October 24, 2013.Image courtesy BPFF, from Hamilton's film "Though I Know the River is Dry."

by Tate Williams (Staff)

Omar Robert Hamilton’s entry in the Boston Palestine Film Festival is his third fiction short, but he’s made several other films, dozens, in fact.

They’re mostly brief documentaries he filmed and publicized as co-founder of the Egyptian film collective Mosireen, which played a major role in documenting the 2011 revolution and aftermath. Mosireen became the most-watched nonprofit YouTube channel in Egypt, and even worldwide during one month.

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Blue Line 5: Spooky Scary

Just in time for Halloween. Mix of mostly instrumental, electronic, ambient music and other sounds. Constructed for use over headphones during public transit, but available for the setting of your choice. WARNING: This episode is no Monster Mash — NOT for the faint of heart. Turn out the lights, get under a blanket, and keep an extra pair of pants nearby. Watch out for the twist ending!

  1. Ballet Van de Bloedhoeren, Kreng

  2. Sans Motif / Closer to Here Than You Care to Be, Pinkcourtesyphone

  3. In den Garten Pharaos, Popol Vuh

  4. Night Life in Twin Peaks (Instrumental), Angelo Badalamenti

  5. A Few Simple Up and Down Jerks, Climax Golden Twins

  6. (something), Mount Eerie

  7. Scene 2 - Auf- Loge (Das Rheingold), Wagner

  8. Mara, The Haxan Cloak

  9. Hallucigenia II: Spiritual Jerk, horseback

  10. Live Room, Tim Hecker

  11. No Surrender, Nails

Reviews of 15 horror movies I watched this month

I was an easily scared child. When I was really young, like the 4 to 6 range, my family used to go to drive-in movies on the weekends. To keep families happy, each screen usually had a double-feature, with a family friendly early movie and a less family friendly late movie for when the kids went to sleep. But even the family friendly movies scared me. I remember being frightened by The Incredible Shrinking Woman starring Lily Tomlin. E.T., Howard the Duck, Ghostbusters. Ghostbusters scared the shit out of me. Since normal movies scared me so much, I was definitely not allowed to watch horror movies for most of my childhood, nor did I want to watch them. My only exposure to scary movies was to walk through the horror aisles of video stores to catch glimpses of old, trashy VHS covers, but never picking the boxes up.

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Blue Line 4: Space Night

Mix of mostly instrumental, electronic, ambient music and other sounds. Constructed for use over headphones during public transit, but available for the setting of your choice. Blast off!

  1. Kobresia, Biosphere

  2. Boring Angel, Oneohtrix Point Never

  3. Benevolent Incubator, Icarus

  4. City Sleep, Talkdemonic

  5. Amo Bishop Roden, Boards of Canada

  6. Seeds of Sleep, Pantha du Prince

  7. Rivers of Sand, Fennesz

  8. Replicant City, Noir Deco

  9. Kanada's Death, Pt. 2 (Adagio In D Minor), John Murphy

  10. Tears in Rain, Vangelis

 

Blue Line 3: Evening Redness

Mix of mostly instrumental, electronic, ambient music and other sounds. Constructed for use over headphones during public transit, but available for the setting of your choice. Blue Line heads out west this episode.

  1. Quickening, Friends of Dean Martinez

  2. Ethchlorvynol, Friends of Dean Martinez

  3. Mi Mujer, Nicolas Jaar

  4. Your Kicks and What?, Heroin and Your Veins

  5. Martha's Dream, Nick Cave and Warren Ellis

  6. N.L.T., Sunn O))) & Boris

  7. Akuma No Kuma, Sunn O))) & Boris

  8. Little Vapors, The Fun Years

  9. Wir Koennen Ja Freunde Bleiben, Sankt Otten

  10. Minas De Cobre (For Better Metal), Calexico

  11. Strong Wind Blowing and Howling in the Middle of the Desert of Atacama in Moon Valley Chile, Felix Blume

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Brick on a String: review of The Shining Girls by Lauren Beukes

Originally published in Souciant on August 15, 2013. | Lauren Beukes transcends genre mashup with a gut punch portrayal of violence against women. Serial killer fiction and time travel fiction are two troubling genres. At its worst, the serial killer story offers the cheap thrill of watching a charming genius killing at will. And time travel can be an irritating, messy plot device that hogs the spotlight and drains a story of its reality. But South African writer Lauren Beukes’ third novel The Shining Girls avoids these pitfalls. Sure, it could have been an obscenely high-concept slashfest. But don’t worry, it’s not.

Beukes, instead, has written a story of sepia tones and sad laughter, in which both the serial killer and time travel elements take a decidedly background role to the emotional reality of violence, in particular against women. And somehow, for a book that deals in such pitch-black subject matter, it remains lively, with alternating moments of gee-whiz historical facts and truly frightening suspense.

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Bill McKibben's 350.org Organizes Protest and Mass Arrest at MA Power Plant

Originally published in Open Media Boston. by Tate Williams (Staff), Jul-24-13

Cambridge, Mass. - The climate movement is a unique one, longtime activist Bill McKibben told an audience in Cambridge Sunday night, because it doesn’t gain its strength from a few powerful advocacy groups or high-profile leaders.

“What we are getting are thousands of nodes of people all around the world, groups in the community, fighting particular things—particular power plants, or fighting for wind on Cape Cod, fighting on all those fronts, but also realizing that they are connected and part of something much larger,” he said to the crowd at a rally and fundraiser.

And that’s why, McKibben would conclude, he wants you to get arrested in Somerset this weekend.

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Blue Line 2: Alice

Mix of mostly instrumental, electronic, ambient music and other sounds. Constructed for use over headphones during public transit, but available for the setting of your choice.

  1. Yesterdays, Paul Chambers

  2. I Am a Crooked Man, Worriedaboutsatan

  3. Born to Die (remix), Clams Casino

  4. Open Eye Signal, Jon Hopkins

  5. Girls, Death in Vegas

  6. Debussy - Préludes - Premier livre - 1. Danseuses de Delphes, Pascal Roge

  7. Tiempo Muerto, EUS

  8. Alice, Tom Waits

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Blue Line 1: Orange Line to Oak Grove

Mix of mostly instrumental, electronic, ambient music and other sounds. Constructed for use over headphones during public transit, but available for the setting of your choice.

  1. Insist, Morgan Packard

  2. Wouh, Nicolas Jaar

  3. L'horloge a Mimi, Lingouf

  4. Apart, Balam Acab

  5. Hatch the Plan, Andy Stott

  6. Interlude

  7. Interstitial Lullaby, Abominations of Yondo

  8. Alice in Wonderland, Bill Evans

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